Plot
Feigning
remorse for his past, Joker convinces Wolper to take him on a talk show to tell
his story; he makes plans for his escape with an old henchman, who supplies him
with mind-controlling lipstick. Meanwhile,Superman, who works as a government
operative in exchange for being allowed to covertly help people, is asked by
the President to end Batman's vigilante activities. Framing these
events is a growing hostility between the USA and the Soviet
Union over possession of the island of Corto Maltese. As Batman's
continued presence humiliates the national authorities, Yindel becomes
commissioner and orders Batman's arrest, and Superman warns Batman that the
government will not tolerate him much longer.
Joker
makes his talk show appearance on David Endochrine's show as Batman fights with
the GCPD on the studio roof; while they fight, Joker kills Wolper, gasses
everyone in the studio to death and escapes. He findsSelina Kyle and uses
one of her escorts and his lipstick to take control of a congressional
representative, who calls for a nuclear strike on the Soviets before falling to
his death. Batman's investigation leads him to Selina, whom he finds bound and
dressed like Wonder Woman. Kelley notices cotton candy on the floor, and
Batman deduces that Joker is at the fairgrounds.
There Kelley accidentally
kills Joker's henchman while Batman pursues the Joker, who indiscriminately
guns down dozens of people. As Batman corners a wounded and partially blinded Joker,
he admits to feeling responsible for every murder Joker has committed and
intends to stop him permanently. In the ensuing fight, Joker stabs Batman
repeatedly, and Batman breaks Joker's neck in front of witnesses.
Content
that he made Batman lose control and that he will be branded a murderer, the
Joker finishes twisting his neck, killing himself. The GCPD arrive and Batman,
bleeding profusely, fights his way to Kelley and escapes. After Superman
deflects a Soviet nuclear missile, he is hit with the blast and badly injured;
the detonation creates an electromagnetic pulse that wipes out all
electrical equipment in the United States and causes a nuclear winter. As
the city descends into chaos, Batman, Kelley and Gordon rally the Sons of Batman
and the citizens of Gotham to restore order, and Yindel accepts that Batman has
become too powerful to take down.
While the rest of the powerless U.S. is
overrun with crime, Gotham becomes the safest city in America, embarrassing the
President's administration and prompting them to send Superman to finally stop
Batman. Batman and Superman agree to meet in Crime Alley.
Wearing
a powerful exoframe and supported by Kelley and former superhero
Oliver Queen (Green Arrow), Batman fights Superman, using various tactics to make
the fight even. When Superman gains the advantage, Queen hits him with
an arrow made with synthetic Kryptonite, severely weakening him.
Batman defeats Superman, and claims that he intentionally made the Kryptonite
weak, to defeat Superman without killing him. Batman then apparently dies of a
heart attack, while Wayne Manor self-destructs, and Alfred dies of a
stroke. In the aftermath, the world learns that Bruce was Batman; all of his
secrets are destroyed with the manor and his finances disappear. As Superman
leaves Wayne's funeral, he gives Kelley a knowing wink after hearing a faint
heartbeat coming from Bruce's coffin. In underground caves, Bruce is revealed
to have faked his death and makes preparations to continue his mission more
discreetly, allied with Kelley, Queen, and his followers.
The Dark Knight Returns, Part 1 was a
stunning triumph in the way that it took Frank Miller’s seminal storyline
(which forever changed the face of Batman) and effectively captured the dark,
brooding, meditation on who Batman is, and what he stands for – despite the
obstacles of page-to-screen translation. (Miller’s story used a lot of
voiceover narration, for instance, which isn’t a tool film can employ as
effectively.) Dark Knight
Returns, Part 2 is just as faithful and creative in its own
translation of the final two volumes in Miller’s four-part story (“Hunt The
Dark Knight” and “The Dark Knight Falls”); unfortunately, that faithful
recreation also proves to be this movie’s downfall.
There is much social satire built into Miller’s story – and
nowhere is this more evident than in the final two volumes, which incorporate a
major subplot about the Cold War and the threat of nuclear holocaust, which
hung over the world at the time when this story was written (the ’80s). For
fans reading the story in the actual Cold War era, this was a relatable and
enjoyable thread to follow – but in the context of a 21st century animated
film, it comes as a major distraction from an otherwise focused narrative. The
sight of a Reagan-esque president spouting cowboy colloquialisms – or
Superman battling Soviet forces in Cuba – are sure to be baffling to those who
are too young to remember that time, and disappointing to those who hoped the
subplot will have as much impact now, onscreen, as it did on the page, back
then.
The Dark Knight Returns not only changed the way Batman was viewed – it
also changed the way people viewed his nemesis, The Joker. The Batman/Joker
showdown in “Hunt The Dark Knight” was a savage and bloody thing (helping to
establish the sort of sociopathic murderous Joker seen in live-action Batman
films), and one would hope that at least that part of the tale would still hold
weight onscreen. Sadly, that impact also loses a bit of its potency in
translation. With so much to pack into a 76-minute feature, The Joker’s
appearance feels very rushed and (being that this is still a cartoon, even if it’s angled
towards adults) very toned-down from what Miller depicted in his book.
Lost/Person of
Interest star Michael Emerson has made a name for himself
playing creepy/eccentric characters, and one might therefore think that he
would be a prime candidate for the voice of the Joker. He is not. I will say
that I DO NOT believe that tried-and-true Joker voice actor Mark Hamill
would’ve been “perfect” for this part; Frank Miller very purposely created his
Joker to be a version the world had never quite seen before (effeminate,
deadpan, sickeningly ruthless) and I believe that a different actor should
voice that different interpretation. It’s just that Emerson (with his nasally
delivery) is not the right candidate, and many of his lines feel detached from
the animated character voicing them; not to mention, the sense that the actor
is reciting Miller’s words, rather than breathing life into them.
With the Joker segment not quite
hitting the way it should, there is still the hope that the epic
Batman/Superman showdown that concluded Miller’s story will make up the
difference. Indeed, the actual fight between the two superhero titans is
gratifying (especially if you know how it ends), but getting there is a bit of
a chore.
As stated, the whole Cold War era
plotline that finally drives The Joker’s “scheme” and ultimately pushes
Superman to confront Batman is woefully outdated, and the film follows many of
the source material’s minor threads right down the rabbit’s hole of meandering
narrative (ex: Jim Gordon’s experience during the chaos of a
power outage – or the history only hinted at during a brief
appearance by Green Arrow). For those NOT looking for a beat-by-beat recreation
of Miller’s work (read: those hoping for a Batman story) these deviations are
especially distracting, while (again) those who love the books might find the
sights of things like a satirized President Reagan, Joker’s childlike robot
weapons or a fat and wrinkled Selina Kyle to be silly when presented onscreen.
Main Cast
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Peter Weller as Batman
Mark Valley as Clark Kent / Superman
Robin Atkin Downes as Oliver Queen
Tress MacNeille as Selina Kyle
Jim Meskimen as President
Conan O'Brien as David Endochrine
Andy Richter as Frank
Tara Strong as Additional Voices (uncredited)
Trailer
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Download Link
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References
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References
https://en.wikipedia.org/wiki/Batman:_The_Dark_Knight_Returns_(film)
http://screenrant.com/batman-dark-knight-returns-part-2-reviews-bluray/
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